Grendel Critical Reading Analysis - 1144 Words

Grendel Critical Analysis QuestionsAnswer on your own paper in complete sentences. Chapter 1: Aries, the Ram.1. What does Grendels relationship with nature -- the ram, the sky, grass, the doe, the baby bird, owls, and wolves -- reveal about his own personality?2. Quote the various phrases Grendel uses to describe himself. What do they reveal about his self-image and how it was developed?3. What is the significance of the scene wherein Grendel challenges the dark chasms?4. What does Grendel mean when he speaks of playing cat and mouse with the universe? What does it mean to see all life without observing it?5. Describe Grendels mother and his relationship with her.6. From Grendels point of view, what is man? Chapter 2: Taurus,†¦show more content†¦In what sense does he become himself?4. According to Unferth, what is heroism? What is poetry?5. Why doesnt Grendel kill Unferth? And why is Unferth so bitter?6. Who or what is the dragon? Chapter 7: Libra, the Balance.1. What is Grendels law? What does it mean?2. How is Wealtheow like the Shapers songs? How is she different?3. Why doesnt Grendel rape, torture, and murder Wealtheow? Or does he?4. What does Grendel mean by balance is everything?5. What is meaning as quality?6. What is the parallel between Wealtheow and Grendels mother?7. What has happened to Unferth? How does the Queen affect him? Chapter 8: Scorpio, the Scorpion.1. What threats surround Hrothgar after Hrothulfs arrival? How is Hrothulf like a scorpion?2. What is Grendels Theorum? What does it mean?3. How can violence be creative? What do Grendel and Red Horse have to say about violence and legitimate force?4. Describe Red Horses political idology.5. What is the meaning of the horrible dream which Grendel imputes to Hrothgar?6. How can the old king Hrothgar be a giant? In what ways is he like Job? Chapter 9: Sagittarius, the Hunter.1. What ironies occur in this section?2. How can Time be inside the hunter and the hart?3. What is Grendels opinion of religion?4. What is the significance of Grendels encounter with Ork? What does Ork have to say about the King of the Gods and about the nature of Evil?5. Why is Grendel so disgusted by the speeches of the Fourth Priest? 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Essay on The Deportation of Acadians - 1408 Words

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If I Were a Microphone Essay Example For Students

If I Were a Microphone Essay The first part of my life is without interest. I was born in a radio factory and eventually found myself a in truck. Then, I was taken to a shop. I was bought by a man and taken to Laxman Public School. Probably no one is more rudely treated than I am. Sometimes I am turned on and off with complete indifference people forget what a wonderful invention I am. Sometimes the electrician of the school watches the clock and then turns me on with an air of expectancy. Then a few moments later he turns me off with disgust, not thinking of my feelings. Mine is a hard life. But then, there are bright spots in it, too. One evening I heard a conversation between two electricians that helped me to understand these things a little better. They were talking about how there werent very many good programs on the air any more, and how they liked religious programs best of all. But they said some of them werent as good as they used to be. And I guess that must be true. Because I know theres a religious program that comes on about the time my mistress does her breakfast dishes. And she always used to listen. Then I guess they got a new singer or something. Maybe singers are naturally loud when theyre new-just as new typewriter ribbons are so lack. Ive heard my master talk about how it takes a little time to wear them down. Well, I got off the subject. But anyway, about this program! The speaker would be talking along so nice and smooth, and all of a sudden there would be a dreadful noise. Ive heard a lot about atom bombs. But I dont think it was that, because it lasted too long. It must have been the singer. Anyway, my mistress would get a terrible scowl on her face and come running in from the kitchen. She wouldnt take time to dry her hands, and oh, how I hate to get dishwater all over me ! But I guess she couldnt help it. She always said something about her ears. And finally she stopped listening to that program. She said she liked the speaker, but she couldnt run back and forth all the time. Not long after that I was sent into the shop for repair. Maybe I had ear trouble too. But I was glad I went, because it was there that I met my good friend, the microphone. We got so well acquainted that now I call him Mike. And Mike has certainly had a lot of experience. Really, he knows a lot. And he explained a lot of things I didnt understand. The first thing I asked him was why new singers were so loud. And he said it is because new singers always think that their listeners are miles away, and they try to make them hear without a radio. So they sound like fire hydrants-if fire hydrants could sing ! He says they dont realize that they are only a foot from the microphone, and the listeners, some of them, are only a foot from the radio. That makes only two feet ; so they are really singing right in peoples ears. And Mike says it is very impolite to shout in anyones ear. Really, it is just amazing how much Mike has heard. People are always talking to him. And when they arent talking to him, he still has to stand by in readiness. So he gets a lot of inside information. Mike said that one day the manager of the radio station came into the studio with a gentleman, and they were talking about religious programs. I guess this gentleman wanted to buy time for one. And the manager gave him quite a line about how they had to broadcast the baseball games and all the other, things people wanted, and that there were too many religious programs on the air already. And I guess the gentleman thought the station manager just didnt want religion on the radio, because he looked pretty disappointed. .u5e3fae181c29987ae9436a7c5dd1d0fd , .u5e3fae181c29987ae9436a7c5dd1d0fd .postImageUrl , .u5e3fae181c29987ae9436a7c5dd1d0fd .centered-text-area { min-height: 80px; position: relative; } .u5e3fae181c29987ae9436a7c5dd1d0fd , .u5e3fae181c29987ae9436a7c5dd1d0fd:hover , .u5e3fae181c29987ae9436a7c5dd1d0fd:visited , .u5e3fae181c29987ae9436a7c5dd1d0fd:active { border:0!important; } .u5e3fae181c29987ae9436a7c5dd1d0fd .clearfix:after { content: ""; display: table; clear: both; } .u5e3fae181c29987ae9436a7c5dd1d0fd { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5e3fae181c29987ae9436a7c5dd1d0fd:active , .u5e3fae181c29987ae9436a7c5dd1d0fd:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5e3fae181c29987ae9436a7c5dd1d0fd .centered-text-area { width: 100%; position: relative ; } .u5e3fae181c29987ae9436a7c5dd1d0fd .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5e3fae181c29987ae9436a7c5dd1d0fd .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5e3fae181c29987ae9436a7c5dd1d0fd .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5e3fae181c29987ae9436a7c5dd1d0fd:hover .ctaButton { background-color: #34495E!important; } .u5e3fae181c29987ae9436a7c5dd1d0fd .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5e3fae181c29987ae9436a7c5dd1d0fd .u5e3fae181c29987ae9436a7c5dd1d0fd-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5e3fae181c29987ae9436a7c5dd1d0fd:after { content: ""; display: block; clear: both; } READ: Tyrode soulutin EssayBut the manager must have liked this man a little, for after a while he talked to him sort of confidentially. And he said that the trouble with religious programs was that the sponsors came to buy time and told them what a good program it would be. And the programs would be good for two or three weeks; but after that they would start getting worse, until the station was ashamed to have them on the air. And it wasnt that they didnt like religion, but they wanted good quality programs, carefully planned and rehearsed, whether they were re ­ligious, or dramatic, or swing. Mike said he was right, too. And with his experience he ought to know. He said he was in a studio where they put on a big network program. It was religious too. But he said they had every program planned two weeks ahead-knew each song and poem to be used. And then they rehearsed and rehearsed till Mike knew the program by memory. But he thinks it is better that way. He says that some time after that, they moved him into another studio; and there was a religious program there too. He said they were fine people-really good Christians. But he thought they must not have expected anyone to be listening to their program. At least they didnt act like it. Sometimes one of them wouldnt get there until two or three minutes before program time. And sometimes they were there, but they read a newspaper or listened to a ball game till almost time to broadcast. I told him probably they had planned and re ­hearsed their program some other time before that. But he said, My, no ! He said the preacher had his sermon ready, and that was all. The rest was ad lib. He told me what that meant, but I guess you already know. Mike says some people can ad lib and some cant. The ones who cant are the ones who do it, and the ones who can know better than to try it. I remembered then that I heard the preacher talk about Job and his wife being led out of Sodom. And my master said something about the script. But Mike said there wasnt any script, and the preacher really could read all right. He says the preacher really does pretty well, but he wishes the rest of the program wouldnt be thrown together in such a haphazard way. He says sometimes the singers dont even know what they are going to sing when they go on the air. And its hard for the organist to know what key to play in if she doesnt even know what the song is going to be. Mike says the organist really has a hard time. She is supposed to play a background while the preacher reads the poems. But he doesnt pick them out till during the first song, so she has to guess at what to play when he starts read ­ing. One day the poem started out about a mothers son, and she started to play, Where Is My Wandering Boy, Tonight? Then it turned out to be a good son instead of a way ­ward one ! But it wasnt the organists fault. How could she know? My friend the microphone says he actually gets mike fright sometimes for fear some ­thing will really go wrong. And he told me he wished he could be back on the network program, because it is so smooth. Every word of it is written out-even the prayer. He said that seemed disrespectful at first. But he heard the preacher say that if we took time to write out what we say to men, to be sure it is right, we ought to be just as careful about what we say to God. And he said the preacher was right-that at least it was better than repeating the same words over and over. Mike said he really loved helping to put on that network program. He said they always took time to pray before they went on the air. And the whole program was so carefully planned, and fitted together so perfectly, that it was all like a lovely poem. He said it must do a lot of good. .ua0157417dc704912cc77145a2a6e3528 , .ua0157417dc704912cc77145a2a6e3528 .postImageUrl , .ua0157417dc704912cc77145a2a6e3528 .centered-text-area { min-height: 80px; position: relative; } .ua0157417dc704912cc77145a2a6e3528 , .ua0157417dc704912cc77145a2a6e3528:hover , .ua0157417dc704912cc77145a2a6e3528:visited , .ua0157417dc704912cc77145a2a6e3528:active { border:0!important; } .ua0157417dc704912cc77145a2a6e3528 .clearfix:after { content: ""; display: table; clear: both; } .ua0157417dc704912cc77145a2a6e3528 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua0157417dc704912cc77145a2a6e3528:active , .ua0157417dc704912cc77145a2a6e3528:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua0157417dc704912cc77145a2a6e3528 .centered-text-area { width: 100%; position: relative ; } .ua0157417dc704912cc77145a2a6e3528 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua0157417dc704912cc77145a2a6e3528 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua0157417dc704912cc77145a2a6e3528 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua0157417dc704912cc77145a2a6e3528:hover .ctaButton { background-color: #34495E!important; } .ua0157417dc704912cc77145a2a6e3528 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua0157417dc704912cc77145a2a6e3528 .ua0157417dc704912cc77145a2a6e3528-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua0157417dc704912cc77145a2a6e3528:after { content: ""; display: block; clear: both; } READ: The Theme Of Death In Poems EssayI wonder if that isnt the one my mistress listens to each week when she seems so affectionate. And I still wonder, Is that the program you put on? One more thing ! Mike said the preacher on this haphazard program talks a lot about wishing he was on the network, but that you have to have a pull to get on the big hook-ups. Mike says if his program was as well prepared as the one on the network, maybe hed be on it. One of the tubes next to me is going bad, so I must bring my autobiography to a close. But I think my microphone friend ought to give that radio preacher a hint. If I had the talent for speaking that Mike has, I surely would!